As You Like It a Romantic Comedy - 1658 Words

The major conventions of Shakespearean Romantic Comedy are: The main action is about love. The would-be lovers must overcome obstacles and misunderstandings before being united in harmonious union. The ending frequently involves a parade of couples to the altar and a festive mood or actual celebration (expressed in dance, song, feast, etc.) A Midsummer Nights Dream has four such couples (not counting Pyramus and Thisbe!); As You Like It has four; Twelfth Night has three; etc. Frequently (but not always), it contains elements of the improbable, the fantastic, the supernatural, or the miraculous, e.g. unbelievable coincidences, improbable scenes of recognition/lack of recognition, willful disregard of the social order (nobles marrying†¦show more content†¦Shakespeares early romantic comedy most indebted to John Lyly is Loves Labours Lost (c. 1588–97), a confection set in the never-never land of Navarre where the King and his companions are visited by the Princess of France and her ladies-in-waiting on a diplomatic mission that soon devolves into a game of courtship. As is often the case in Shakespearean romantic comedy, the young women are sure of who they are and whom they intend to marry; one cannot be certain that they ever really fall in love, since they begin by knowing what they want. The young men, conversely, fall all over themselves in their comically futile attempts to eschew romantic love in favour of more serious pursuits. They p erjure themselves, are shamed and put down, and are finally forgiven their follies by the women. Shakespeare brilliantly portrays male discomfiture and female self-assurance as he explores the treacherous but desirable world of sexual attraction, while the verbal gymnastics of the play emphasize the wonder and the delicious foolishness of falling in love. In The Taming of the Shrew (c. 1590–94), Shakespeare employs a device of multiple plotting that is to become a standard feature of his romantic comedies. In one plot, derived from Ludovico Ariostos I suppositi (Supposes, as it had been translated into English by GeorgeShow MoreRelatedRhetorical Analysis Of Mindy Kaling s Types Of Women1483 Words   |  6 PagesRhetorical Analysis of Mindy Kaling’s â€Å"Types of Women in Romantic Comedies Who Are Not Real†. Romantic comedies are loved by many; however, not many stop to think about how these women are stereotyped every time, giving the female character limits on their personality. Actress, comedian, writer and producer Mindy Kaling in her essay, â€Å"Types of Women in Romantic Comedies Who Are Not Real† classifies the stereotypes given to women in romantic comedies. from her 2011 collection of essays Is Everyone HangingRead MoreGenre Of Romantic Comedy1423 Words   |  6 Pagesflexible, is romantic comedy, which is limited to basically to the one accomplishment of bringing two people together. 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However, the comedy that is involved in this masterpiece is mostly shown through the lines of Nick Bottom. Although many plays are dull and repetitious with romanticism, â€Å"A Midsummer Night’s Dream† is a romantic play brought to life with comedic characters like Nick Bottom. Nick Bottom is